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“Those who frequent the Vale of Cashmere in search of community and sexual gratification have been as diverse and demographically mutable as the communities (near and far) that surround the park,” writes James.Oh fuck… this new video release from TimTales featuring Sly and John Thomas is hot as fuck. For example, James tells us that Roma focused on African American and Caribbean men, the demographic that dominates the Vale due to patterns of immigration, but not the only group. Winston James comments upon Roma’s technique only to back up his own arguments, and in so doing he provides a fuller and intimately-informed context for Roma’s portraits.
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The best essays are those which talk about the issue that the photographs point to, as opposed to direct commentary on - or worse still, description of - the photographs themselves. The best photobook essays, in my opinion, are those written by non-photography people people who may have an extremely keen eye and sophisticated reading of photography, but who are not blindly devoted to the medium. Edition of 4 Signed and dated by photographer verso.
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Untitled (from the series In The Vale of Cashmere), 2010 Gelatin silver print, printed ca. Roma clearly wants to position his work in solidarity and in deep understanding of these gay men and their purposefully shared environment. The choice of author says a lot about the photographer’s relationship to her or his work and the ways in which she or he thinks about it. A photobook’s essay says much more than the author’s argument. Still, I’ll try for the sake of honoring a wonderful portrait project. It’s too good not to share.Īt one point, reading James’ words there in the kitchen, my partner interrupted, “What’s the point in writing a review when this essay says it all so well?” I nodded. I aborted my first reading to return to the beginning so that I could read it aloud to my partner. Roma shows us not a overtly seedy, darkened or hyper-sexualized space, but instead a charged space of possibility populated by bodies that are engaged, vulnerable, languid and much else besides. It’s a dignified and quiet challenge to the undignified, clumsy and loud prejudices of mainstream America. In some ways, it is a tool against homophobia and against racism. In The Vale Of Cashmere bridges socio-cultural boundaries. These portraits gently dismantle the fears, the judgements and the make-believe of those outside of the space - fear and judgements that have fueled discrimination toward homosexual men for decades. And therein lies the importance of Roma’s book. It’s not a social milieu that fiercely polices against prying eyes, but rather a space at which outside eyes, and bodies, avoid. In hundreds of portraits and thumbnail images sequenced like movie-strips, we approach, encounter, pass or pause with the men who meet there. Thomas Roma’s new book In The Vale Of Cashmere takes the viewer on long and repeated walks through the foliage and dappled light.